MANOHARI DA
One
of the senior most member of R D Burman team, and without whom pancham’s music
would not have been the same as what we hear today. Always, in credit titles in
movies composed by Pancham, carried 3 important names of Basu-Manohari & Marutirao
as his assistants and arrangers.
Manoharida
is considered Master of instruments like Alto Saxophone and also other blowing
instruments such as many types of flute,(English flute, Pan flute, recorder,
piccolo etc)clarinet and had played mandolin too in few recordings in 1960s.
Manohari
da alongwith Basu da( Basu Chakravarty, Pancham’s another assistant) came
from Kolkata with music director Salil Chowdhury to Mumbai. He was
associated in playing sax there in jazz bands as well as in the Calcutta
Symphony Orchestra.
Basu
& Manohari da were friends together and knew no one in Mumbai music
scenario of films. Salilda introduced Manoharida to S D Burman and
started playing as musician with Sachin da and gradually came into arranging
the music with so many instruments he had played and had knowledge of Brass
instruments comprising of Trombones, Trumpets, Tubas, Tennor sax etc. In those
days even pancham assisted dada burman alongwith manoharida and after the death
of Sachinda Manohari da carried on as an arranger with pancham da.
Manohari
da mainly handled the brass section and Basu da who later joined as an arranger
too with pancham handled the string section of violins, violas, chellos,
guitar, santoor etc.
Manoharida
used to play saxophone in music clubs of Kolkata, and was so good in playing
jazz style, which pancham couldn’t miss it hearing and over the years, made use
of saxophone in such beautiful manner in his songs, that you can hardly miss
Manoharida’s sax in any of Pancham’s compositions.
Even
in S D Burman’s compositions, one cannot miss Manoharida’s sax playing
like in Guide’s Gata rahe mera dil, Sharmilee’s Khilte hain gul yahan, Jewel
thief’s Raat akeli hai….innumerable songs indeed,where one cannot move
ahead while humming these songs, you unknowingly hum dada’s saxophone pieces
too..they are mixed up so well in the composition. S D Burman gave Manoharida’s
first break in Shakti Samanta’s film Insaan Jaag Utha…and then on
Manohari da was with Burmans through out, with occasional playing for sax &
flute with other music directors like Roshan, Laxmi-Pyare, Shankar Jaikishan,
Kalyanji Anandji etc.
Manohari
da had arranged saxophone for Laxmi-Pyare’s score of Amir Gareeb which
had main hero Dev Anand as saxophone player. Kishore kumar’s main aaya hoon
from Ameer Gareeb became immensely popular with Dada’s sax in foreground.
Manohari
da was very strict when it came to arranging of music in studio, he was
popularly known as “soldier” for his nature which was so strict and observed
discipline all the time.
Many
times he used to compose the interlude parts of songs in the car itself while
going to filmcenter for recordings. Music was all the time on the minds of
these great geniuses like Manohari da and pancham.
I
had opportunity of carrying Manoharida in my car twice to Pune for our
Panchammagic shows and shared some great moments with him. We also interacted a
lot for our instrumental shows which we conducted showing people, what brass,
violins, pianos and other percussion instruments were all about in pancham’s
songs. Manohari da was used to be commander in chief, arranging all the music
played by his original team mates as well as other established musicians.
In
rehearsals we came to know, how each and every piece of instrument and music
was important to him and was so keen on getting it perfect to achieve the
correct result. All musiscians were so humble with Manohari da’s instructions
and followed his arrangements with equal craftsmanship.
Even
though he was not keeping well lately, manoharida was playing sax in live shows
in very big way and he used to play many songs, solo entirely on sax. His
favourite solos were “Khoya khoya Chand” from Kala Pani, “Gulabi aankhen” from
The Train, “O Mere Dil Ke Chain” from Mere Jeevan Saathi, “Ye Jo Mohobbat Hai”
from Kati Patang etc, which always used to get never ending applause from
audience.
Manohari
da’s saxophone creations to name few, “aaja aaja” from teesri manzil,
“mehbooba” from Sholay,” “Ye Jawani” from Jawani Diwani, “Gata rahe mera dil”
from Guide, and has endless list with pancham and S D Burman. With others like
Shankar Jaikishan’s he had great playing in “Aji Roothkar Ab Kahan Jaiyega”
from Arzoo, “Hai Duniya Usiki” from Kashmir Ki Kali with O P Nayyar, “Janam
Janam Ka saath hai” with Shankar Jaikishan, “Jiska mujhe tha intezaar” from DON
for Kalyanji Anandji, “Main aaya hoon” from Amir Gareeb for Laxmi –Pyare…the
list is literally never ending.
He
had played mandolin for pancham’s “Tum bin jaun kahan” alongwith Kishore Desai in
Pyar Ka Mausam and “Dil Jo Na Kah Saka” from Bheegi Raat for music
director Roshan.
The
success he has got is for mainly his style of playing saxophone in jazz style
and was very expressive in his blowing of saxophone, for example who will
forget the sax pieces he had played in “Roop Tera Mastana” from Aradhana..just
mind blowing and so romantic. He had played it in two tone as well.
Born
on 8th March 1931,
Manohari da also had composed music independently for films like Subse Bada
Rupaiyya, Nargis, Chatpattee alongwith Basudev Chakravarty.Their duo was known
as Basu-Manohari. “Dariya Kinari ek bunglow” and the “The whole thing is that
ke bhaiyya” became super duper hits those days from Subse bada Rupaiyya.
Manohari
da graced many shows of panchammagic, and loved all of our members so much. I
still remember the standing ovation he used to get after the playing, be it
flute or saxophone.We had great felicitation on stage by making wearing him a
traditional Pagdi, and he looked so humble, always joining hands to audience
and so much respect he was reciprocated with.
Such
a fine artiste left for his heavenly abode on 13th July 2010 and industry will miss him
as musician and conductor-arranger of songs but, never the less artistes like
Manohari da will always live in music lovers’ minds with his fabulous saxophone
sound for as long as music exists , which is eternal.
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